Showing posts with label Brick City. Show all posts
Showing posts with label Brick City. Show all posts
Sunday, May 30, 2010
Great stuff throughout Brick City, but the series sometimes gets in its own way, trying to cover too much
Finished "Brick City," the 5-part sundance documentary on Newark and Cory Booker, leading up to 2008 election day - Obama's victory. I did really enjoy the series, especially because of my interst in and history with Newark, great to see such a terrific mayor as Cory Booker committed to that city, and you finish watching certainly hoping he will have a long and great career in public service. The Jayda story - the teenage mom who wants to help other young women stay away from gangs and trouble - plays out very well, too - she's likable and you hope for the best for her, against plenty of long odds. This episode brings in a whole new element, the battle for the Central Ward council seat, with Booker's candidate up against a local guy who thinks Booker has brought in too many outsiders to run Newark. Booker gets his clock cleaned. It's one of the unfortunate flaws of the series that there's just too much material and the directors founder as they shift from one story line to another. I continue to wish that they had been more selective and had let more scenes play out. The best scenes in this episode are the wonderful student assembly in which principal of Central High, Ras Baraka, speaks to the students about safety on the streets and his failure to protect them (there had been a shooting outside of the school), also some of the political council sessions in which Booker and aides discuss strategy in the council election. Trust your material, guys, in your next documentary, and don't screw up great scenes with a loud music soundtrack. Great stuff throughout Brick City, but the series sometimes gets in its own way.
Friday, May 28, 2010
Courts, Cops, and Bloods in Brick City
Jayda seems on the verge of going to prison on the four-year-old assault charge, and even though her tough-as-nails attorney tells her not to worry, how can she help it? It's hard to believe she'll get a fair shake, and we don't of course hear the story from the victim's point of view, so who knows? Seems terribly unfair, though, as Jayda, now pregnant, has come up from a childhood in which she was clearly a trouble-maker to a point where she is a true leader likely to have a positive effect on her community - if she can survive. Prison will do her no good. We'll see. This 4th episode of "Brick City" has considerably more information on Jayda and on her former crew, the Bloods, who lose one of their members to gunshot suicide. We also learn, through a lot of indirection, about a power struggle between the Director of Police McCarthy and the police chief, who has not been even a bit player in this documentary series to date. Though it's impossible to follow all the nuances of this struggle, the essence is that the chief gets kicked upstairs and Mayor Cory Booker comes down in support of his director, McCarthy. Valiantly, the filmmakers try to make a character of McCarthy, but he seems always very conscious of the camera and cautions about what he can truly reveal. Police rarely make for good documentary subjects, unfortunately, as they have learned on the job to watch everything they say and they rarely trust the media. So much great material in Brick City, but once again I wish the filmmakers had let it speak for itself instead of infusing the story with a background track and frenetic editing.
Wednesday, May 26, 2010
What gives a documentary film its integrity? : Brick City
I continue to like "Brick City" despite its flaws, especially episode 3, as we really get to like Jayda and continue to be in thrall to Corey Booker. The narrative has a little more focus in this episode, as we zone in on two crises: the delays in the construction of the new Central High School, and the budget crisis forcing across-the-board cuts in all agencies, including police, now struggling to keep down the murder rate. The filmmakers valiantly try to make Chief McCarthy the 3rd main character, but he seems not too willing to let them inside his head or to grant a lot of access outside of public appearances. Booker lets them go with him everywhere, but seems to have no private life. Jayda gives pretty complete access, which makes her a very winning and open character - struggling to make a life, and to help other young women, but with plenty of flaws and with a lot of pressures pushing her back to thug life. I notice that the filmmakers never actually interview any of the characters - they only observe - and I think that's great, and I wish, as I've said in the past two posts, that they'd brought that same integrity into the editing and production process because I think this series would feel much more true and real if it didn't have a musical score. That said, this 3rd episode is not quite as frantic in its editing as the first two, and a few scenes - the overnight for freshmen boys at Central, the meeting of the men's group against violence - are allowed to unfold a little, and these are highlights of this episode. There's a danger in having too much material and trying to jam it all in - some stuff has to fall by the wayside to let the best material bloom.
Tuesday, May 25, 2010
Cory Booker, Jayda are extremely likable, but frenetic editing gets in the way: Brick City
Second episode of "Brick City" much like the first - some things I loved about it and some that troubled me (a lot). The character of Jayda, the teenage mother who's left her gang (the Bloods) and speaks to high-school girls about getting their lives on track, is emerging as the strongest character in the series, very complex and likable, and I wish the filmmakers could be a little more, or a lot more, patient and let her character emerge slowly, let us get to see her at some length. But the style of this series consists of frenetic montage and frantic editing, as if 500 hours of material must be crowded into 4 hours of documentary. No, it mustn't. Some should be left on the floor. We never spent more than a few moments at any one scene, and some of them - Jayda's breakup with her boyfriend, her reunion with the gang, her release from detention - require much more. The frenetic pace is a little more suitable for the main character, Cory Booker. He remains incredibly likable and heroic - but the film catches him in public life only. Maybe he has no private life, or maybe it was out of bounds as a precondition, but it does seem that episode 2 added nothing to our knowledge of him from episode 1. He needs to be facing some sort of crisis to give the story an arc: he is trying to lower the murder rate, so in part we're watching the city as it enters the long, hot summer, and we do see a lot of the police chief, the 3rd main character in the series, but not sure that's enough to shape the story and Booker's role gets a little murky in episode 2. It needs a single element or crisis to help crystallize the plot and to bring his character into high relief.
Saturday, May 22, 2010
Newark is a strange and tragic city : Brick City
The Sundance series "Brick City" is pretty good, based on first episode, but not as good as it could be or ought to be, unless it picks up quickly. I am really interested in this topic and will watch it through no matter what - as an Old Newark hand and a big fan of Cory Booker. Newark is such a strange and tragic city and carries to many memories for me, so I've really looked forward to seeing this. So far, it is a very good portrait of Booker, but its attempt to tell the story of the city through several characters is not well established in the first episode - only one other character, the ex-gang member Jayda, comes to anywhere near the level of interest of Booker. The series seems a little controlled and selective, as if we're not quite getting the full story of Jayda (though I think her role will be bigger in the next episode) and we're certainly getting an unabashedly heroic view of Booker. OK, maybe he is a hero plain and simple - but at times this seems almost like a campaign video. It would help if the style were more simple and focused - few if any scenes are allowed to unfold and develop, as there's a great deal of snappy editing showing different Newark scenes, and maybe there's too much material on Booker and not enough on other aspects? Personally, I find the musical score to be a big mistake - again, making this series seem like an infomercial at times and less like a documentary, which it is. This technique defies the conventions of most contemporary documentaries, but with little overall benefit.
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